On Display at Odum 2021: April: National Poetry Month

This anthology showcases for the first time the best works of Deaf poets throughout the nation's history -- John R. Burnet, Laura C. Redden, George M. Teegarden, Agatha Tiegel Hanson, Loy E. Golladay, Robert F. Panara, Mervin D. Garretson, Clayton Valli, Willy Conley, Raymond Luczak, Christopher Jon Heuer, Pamela Wright-Meinhardt, and many others. Each of their poems reflects the sensibilities of their times, and the progression of their work marks the changes that deaf Americans have witnessed through the years.

The Defiant Muse series includes 60 to 80 poems by both well-known and rediscovered poets, selected on the basis of their individual merit and as illustrations of the evolution of feminist thought and feeling. Reflecting their own cultural milieus as well as enduring themes, the poets write of love and friendship, revolution and peace, religion, nature, isolation, work, and family.

In Don't Read Poetry, award winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. She dispels preconceptions about poetry, explains how poems speak to one another, and how they can speak to our lives. It shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to poetry of the present.

Mencken's stinging characterization of the American South as "the Sahara of the Bozart" reflects an understandable frustration with the narrow view of the canon of southern literature. With its focus on novelists, it largely ignores the works of all but a few poets--the Fugitives Robert Penn Warren, Allen Tate, and John Crowe Ransom, and the larger-than-life James Dickey among them. Invited Guest is the first anthology that attempts to reach beyond this small coterie to encompass the range and brilliance of twentieth-century southern poetry.

A landmark anthology celebrating twenty-one Native poets first published in the twenty-first century. New Poets of Native Nations gathers poets of diverse ages, styles, languages, and tribal affiliations to present the extraordinary range and power of new Native poetry.

"A contact bomb, a volcano ready to erupt" describes not only Central America in the 1980s but--in the conception of its editors--this anthology of contraband poetry. The poems themselves were often copied by hand and smuggled onto Mexico, from Honduras, El Salvador, Guatemala, and Nicaragua. In all those countries, except Nicaragua, this poetry is banned. The thirty-nine poets represented here give potent voice to the struggles of their peoples under the crushing oppression of life "under the volcano" in these war-stunned lands. Many of these women and men have been jailed, exiled, killed, or otherwise made to disappear.

The New Princeton Encyclopedia of Poetry and Poetics is a comprehensive reference work dealing with all aspects of its subject: history, types, movements, prosody, and critical terminology.

Feminist efforts have recovered the works of early women poets, and much of this rediscovered work now appears in anthologies. As a result, women poets writing today must not only struggle against a largely male tradition, but must also confront existing feminist expectations. In mapping the achievements of contemporary American women poets, this reference helps liberate them from restrictive conventional views and illustrates the tremendous diversity of their works.

Gay presence is nothing new to American verse and theater. Homoerotic themes are discernible in American poetry as early as the 19th century, and identifiably gay characters appeared on the American stage more than 70 years ago. But aside from a few notable exceptions, gay artists of earlier generations felt compelled to avoid sexual candor in their writings. Conversely, most contemporary gay poets and playwrights are free from such constraints and have created a remarkable body of work.

The most comprehensive reference on American poetry ever assembled, this encyclopedia includes more than 900 alphabetically arranged entries, contributed by approximately 350 scholars. Written for students and general readers, the set covers poetry from the colonial era to the present, devoting special attention to contemporary poets and their works.

The Word Rhythm Dictionary: A Resource for Writers, Rappers, Poets, and Lyricists is a new kind of dictionary--one that reflects the use of "rhythm rhymes" by rappers, poets, and songwriters of today. This is an eminently practical reference work for all wordsmiths looking to add musicality to their writing. Users of this dictionary can alphabetically look up words in the General Index to find collections of words that have the same rhythm as the original word and are readily useable in ways that are familiar to us in everything from vers libre poetry to the lyrics and music of Bob Dylan and hip hop groups.

Often the last line of a poem is the most memorable, and this book provides an index to the last line of 175,000 English language poems. Poems and poets can be found by accessing a single word in the last line, the poet, or the last line itself.

The American Poetry Review is dedicated to reaching a worldwide audience with a diverse array of the best contemporary poetry and literary prose. APR also aims to expand the audience interested in poetry and literature, and to provide authors, especially poets, with a far-reaching forum in which to present their work.

The Georgia Review is the literary-cultural journal published out of the University of Georgia since 1947. While it began with a regional commitment, its scope has grown to include readers and writers throughout the U.S. and the world, who are brought together through the print journal as well as live programming. Convinced that communities thrive when built on dialogue that honors the difference between any two interlocutors, we publish imaginative work that challenges us to reconsider any line, distinction, or thought in danger of becoming too rigid or neat, so that our readers can continue the conversations in their own lives.

Founded in 1975 by Evalyn Pierpoint Gill, International Poetry Review is dedicated to the idea that the world becomes a better place when we listen to the voices of writers working in a variety of languages. The journal publishes works written by global contemporary writers in their own languages accompanied by facing English translations.

When Ted Hughes and Daniel Weissbort founded MPT in 1965 they had two principal ambitions: to get poetry out from behind the Iron Curtain into a wider circulation in English and to benefit writers and the reading public in Britain and America by confronting them with good work from abroad. They published poetry that dealt truthfully with the real contemporary world. For more than 50 years MPT has continued and widened that founding intent.

MPT builds on the first editors’ extraordinary achievement. It brings together brings the best new poetry, essays and reviews from around the world. We aim to give voice to the silenced, exiled and excluded, and create a diverse and creative community of translators, poets and readers.

Founded in 1892 by the teacher and critic William Peterfield Trent, the Sewanee Review is America’s oldest continuously published literary quarterly.

SPR is the second oldest poetry journal in the region, with its origins in Florida and subsequent moves to North Carolina and now Georgia. Continuing the tradition of editorial openness and response to writers that began with Guy Owen in 1958, SPR publishes poems from all over the country as well as from abroad and maintains a worldwide readership.